Skip to main content

Instant Vintage: These Songs Are For Anyone Sick Of Earth – Aliah Sheffield

An eight-track record by a singer who went viral for a song about wanting to leave the planet. It is funnier, sadder and better made than the internet moment suggested.


These Songs Are For Anyone Sick Of Earth

Aliah Sheffield broke through with "Earth Is Ghetto" — a song that took off on TikTok on the strength of a sentiment a great many people apparently shared, expressed in a chorus about wanting to go home to a planet she does not come from.

What got lost in the virality is that it is a genuinely well-made record. The joke is real, but so is the melancholy underneath it, and the vocal arrangement — layered, gospel-inflected, harmonically ambitious — is the work of someone with serious training and taste. This project builds an entire short album around that combination of humour and exhaustion.

What to listen for

Read the tracklist as a sequence and the concept becomes clear: "Earth Is Ghetto," "Some Of Your People," "Boo Boo The Fool," "I Don't Like People," "Never Drinking Again," "Good For The Money," "Anti-Hero." It is a record about being tired of other human beings, and it is committed enough to the bit to be genuinely affecting.

"Boo Boo The Fool" is the sharpest piece of writing — the title is African-American vernacular for a person being played for an idiot, and the song is about refusing that role. "I Don't Like People" is the most direct.

"Never Drinking Again" handles a very familiar subject with more musical interest than it needs. "Anti-Hero" closes on the self-assessment the whole record has been circling.

Throughout, listen to the background vocals. Sheffield stacks harmonies densely, and a lot of the record's emotional weight is carried in parts that are not the lead line.

Go deeper

Follow her own subsequent releases — the trajectory of an artist who arrives through a viral moment is always worth watching, and the ones who survive it are the ones with actual catalogue.

For artists working the same seam of humour and melancholy in R&B: Yaya Bey is the best of them, Liv.e the most experimental, and Doechii the one who took the combination furthest commercially.

And on the wider point — Black artists writing about wanting to be somewhere other than here has a long and rich lineage. Sun Ra built an entire cosmology on it, Parliament built a mythology, and Janelle Monáe built a discography. "Earth Is Ghetto" is a TikTok song in the Afrofuturist tradition, whether it meant to be or not.

Comments

Popular posts from this blog

Monty Alexander VibeZ

There is a moment on almost every Monty Alexander record where the jazz piano trio stops behaving like a jazz piano trio and starts behaving like a Kingston sound system. That moment is the whole point. Fifty tracks deep, this is the sound of a man who never asked permission to be two things at once. The pianist who brought Kingston to the Carnegie stage Monty Alexander was born in Kingston, Jamaica in 1944, and by his teens he was already gigging around the island — close enough to the birth of ska and rocksteady to have absorbed it in his bones rather than learned it from records. He moved to the United States in 1961, and the origin story that follows is the kind that sounds invented: Frank Sinatra heard him playing in a Miami club, and Jilly Rizzo, Sinatra's friend and club owner, put him behind the piano at Jilly's in New York. From there Alexander fell in with Milt Jackson and Ray Brown, two of the most demanding rhythm partners in the music, and never really ...

GuiltyBeatZ VibeZ

If you have danced to anything out of Accra in the last ten years, you have probably danced to GuiltyBeatz without knowing his name. Forty-seven tracks of a producer's fingerprints — and the fingerprints turn out to be the melody. The Ghanaian producer who made Afrobeats swing Ronald Banful, who records as GuiltyBeatz, is a Ghanaian producer and DJ whose sound sits at the crossroads where Ghanaian highlife, Nigerian Afrobeats, amapiano and UK dance music all meet. He came up producing for Mr Eazi — the Banku Music partnership is where a lot of listeners first heard him — and his breakout as a name in his own right came with "Akwaaba," the 2018 track with Mr Eazi, Patapaa and Pappy Kojo that spawned a dance craze and became one of the defining African club records of its year. His reputation went global when he worked on Beyoncé's The Lion King: The Gift , but the more interesting story is the consistency. A GuiltyBeatz beat is usually ide...

Kashif VibeZ

Kashif is the reason a lot of 1980s R&B sounds the way it does — and the reason you can hear the difference between a synth bassline played by someone who understood bass and one programmed by someone who didn't. This is a producer's playlist, and the producer is everywhere. The architect of the synthesized soul record Kashif was born Michael Jones in Brooklyn in 1956, raised in foster care, and taught himself music young enough that by his teens he was touring with B.T. Express. What he did next reshaped a decade. In the early 1980s, as a producer, arranger and multi-instrumentalist, he was among the first to build R&B records around programmed synthesizers — the Minimoog bass, the Linn drum machine, the Fairlight — without letting them sound cold. That distinction matters. Plenty of producers adopted the new gear; Kashif made it groove . His basslines are played with the phrasing of a funk bassist, full of slides and ghost notes, which is why rec...