Skip to main content

Patrice Roberts VibeZ

Sixteen tracks of Trinidadian soca from a singer who has been at the top of the form for twenty years. If your only Carnival reference is a beach advert, start here.


Patrice Roberts and the business of Carnival

Patrice Roberts is from Tobago and has been a major figure in soca since her teens, when she was singing with Machel Montano's band. She has since built one of the most consistent careers in the genre — a run of Carnival-season hits, Road March contention, and a body of work that has broadened well beyond the party record.

Soca deserves better framing than it usually gets. It emerged in Trinidad in the 1970s as calypso absorbed Indian and American influences, and it operates on an annual cycle: songs are written for Carnival, released in the season, competed over, and then either enter the canon or vanish. That structure produces an extraordinary rate of output and a genuinely competitive songwriting culture.

Roberts' particular skill is writing soca that works outside the season — songs with enough emotional substance to survive being played in March.

What to listen for

"Any Way" and "Carry On" are the essential entries — both huge in their seasons and both built on the specific soca combination of enormous energy and a lyric about perseverance.

"I Am Soca" with Kerwin Dubois is a statement of identity, and "Better Days" is the most reflective thing here.

"Like It Like This" and "Feelin' It" both feature Kes — Kes the Band, the most internationally visible Trinidadian act of the last decade — and the pairing is a good introduction to how soca collaboration works.

"Camera" with Afro B is the Afrobeats crossover, and it demonstrates how naturally soca sits alongside West African pop — unsurprising given the shared rhythmic ancestry.

"World On Fire" with DJ Private Ryan and Freetown Collective is the most musically ambitious track on the list, and "NO TIME LIKE NOW" is a multi-artist Carnival anthem featuring most of the island's biggest names.

Go deeper

Machel Montano is the essential starting point for soca generally — the genre's biggest star and its most restless innovator. Kes, Bunji Garlin, Fay-Ann Lyons and Destra Garcia are the others to know.

For the roots: Lord Kitchener and Mighty Sparrow in calypso, and Lord Shorty — later Ras Shorty I — who is generally credited with inventing soca itself.

And if any of this connects, the honest recommendation is to experience it in its proper context. Recorded soca is a shadow of what it does on a road in February.

Comments

Popular posts from this blog

Monty Alexander VibeZ

There is a moment on almost every Monty Alexander record where the jazz piano trio stops behaving like a jazz piano trio and starts behaving like a Kingston sound system. That moment is the whole point. Fifty tracks deep, this is the sound of a man who never asked permission to be two things at once. The pianist who brought Kingston to the Carnegie stage Monty Alexander was born in Kingston, Jamaica in 1944, and by his teens he was already gigging around the island — close enough to the birth of ska and rocksteady to have absorbed it in his bones rather than learned it from records. He moved to the United States in 1961, and the origin story that follows is the kind that sounds invented: Frank Sinatra heard him playing in a Miami club, and Jilly Rizzo, Sinatra's friend and club owner, put him behind the piano at Jilly's in New York. From there Alexander fell in with Milt Jackson and Ray Brown, two of the most demanding rhythm partners in the music, and never really ...

GuiltyBeatZ VibeZ

If you have danced to anything out of Accra in the last ten years, you have probably danced to GuiltyBeatz without knowing his name. Forty-seven tracks of a producer's fingerprints — and the fingerprints turn out to be the melody. The Ghanaian producer who made Afrobeats swing Ronald Banful, who records as GuiltyBeatz, is a Ghanaian producer and DJ whose sound sits at the crossroads where Ghanaian highlife, Nigerian Afrobeats, amapiano and UK dance music all meet. He came up producing for Mr Eazi — the Banku Music partnership is where a lot of listeners first heard him — and his breakout as a name in his own right came with "Akwaaba," the 2018 track with Mr Eazi, Patapaa and Pappy Kojo that spawned a dance craze and became one of the defining African club records of its year. His reputation went global when he worked on Beyoncé's The Lion King: The Gift , but the more interesting story is the consistency. A GuiltyBeatz beat is usually ide...

Kashif VibeZ

Kashif is the reason a lot of 1980s R&B sounds the way it does — and the reason you can hear the difference between a synth bassline played by someone who understood bass and one programmed by someone who didn't. This is a producer's playlist, and the producer is everywhere. The architect of the synthesized soul record Kashif was born Michael Jones in Brooklyn in 1956, raised in foster care, and taught himself music young enough that by his teens he was touring with B.T. Express. What he did next reshaped a decade. In the early 1980s, as a producer, arranger and multi-instrumentalist, he was among the first to build R&B records around programmed synthesizers — the Minimoog bass, the Linn drum machine, the Fairlight — without letting them sound cold. That distinction matters. Plenty of producers adopted the new gear; Kashif made it groove . His basslines are played with the phrasing of a funk bassist, full of slides and ghost notes, which is why rec...