Skip to main content
Eddie Rockerz VibeZ - curated playlists, mixes and music commentary

Dig the crates

Every playlist on the blog, sorted by where it takes you.

Browse all 600+ VibeZ

DJ Mixes & Series

The house sets, the Producer Series and the running volumes.

Show all 16Show fewer

Classic Recordings: Raury – All We Need

www.gstatic.com/tv/thumb/persons/902623/902623_...

After years of being assaulted & numbed by inconsequential & vapid commercial rap music, we get a whiff of fresh air from an up & coming 19 year old rapper from the ATL – Raury. Yeah, he comes off sounding like Andre 3000 – the influence is quite obvious – but he is forgiven. His lyricism is what is needed at this moment in our polluted stream of consciousness. Give me his –

I seen the news and seen the lies
They kill our kind
The system’s blind, the system’s blind yeah
So peel your eyes, don’t close your mind
Cause human kind must grow benign or slowly die, extinction
There’s truth and lies in death and life
The masses cry, but heaven smiles, always
The trees they grow
The leaves belong to mother nature
Not to man to legalize it, yeah

And take back Rick Ross’ whack-ass-

Put Molly all in her champagne, she ain’t even know it
I took her home and I enjoyed that, she ain’t even know it
Got a hundred acres I live on, you ain’t even know it
Got a hundred rounds in this AR, you ain’t even know it
Got a bag of bit–es I play with, on cloud 9 in my spaceship
Zoned out but he stay fresh from Zone 1 through Zone 6
Bricks all in my blood, birds all in my dreams
Boats all in my yard, lemon pepper my wings
I’m bout to get you f–k [expletive] wacked, you ain’t even know it
Your main [expletive] bout to turn his back, you ain’t even know it.

I hope Raury brings back the golden threads of the genre which inspired a generation. Lord knows today’s youth need inspiration to deal with the darkness that surrounds them….

OneLove

Comments

Popular posts from this blog

Monty Alexander VibeZ

There is a moment on almost every Monty Alexander record where the jazz piano trio stops behaving like a jazz piano trio and starts behaving like a Kingston sound system. That moment is the whole point. Fifty tracks deep, this is the sound of a man who never asked permission to be two things at once. The pianist who brought Kingston to the Carnegie stage Monty Alexander was born in Kingston, Jamaica in 1944, and by his teens he was already gigging around the island — close enough to the birth of ska and rocksteady to have absorbed it in his bones rather than learned it from records. He moved to the United States in 1961, and the origin story that follows is the kind that sounds invented: Frank Sinatra heard him playing in a Miami club, and Jilly Rizzo, Sinatra's friend and club owner, put him behind the piano at Jilly's in New York. From there Alexander fell in with Milt Jackson and Ray Brown, two of the most demanding rhythm partners in the music, and never really ...

Kashif VibeZ

Kashif is the reason a lot of 1980s R&B sounds the way it does — and the reason you can hear the difference between a synth bassline played by someone who understood bass and one programmed by someone who didn't. This is a producer's playlist, and the producer is everywhere. The architect of the synthesized soul record Kashif was born Michael Jones in Brooklyn in 1956, raised in foster care, and taught himself music young enough that by his teens he was touring with B.T. Express. What he did next reshaped a decade. In the early 1980s, as a producer, arranger and multi-instrumentalist, he was among the first to build R&B records around programmed synthesizers — the Minimoog bass, the Linn drum machine, the Fairlight — without letting them sound cold. That distinction matters. Plenty of producers adopted the new gear; Kashif made it groove . His basslines are played with the phrasing of a funk bassist, full of slides and ghost notes, which is why rec...

De La Soul VibeZ (R.I.P Trugoy the Dove)

Trugoy the Dove died in February 2023, weeks before De La Soul's catalogue finally reached streaming after a fifteen-year legal deadlock. Thirty-one tracks, and a difficult kind of timing. Rest in peace, Dave David Jude Jolicoeur — Trugoy the Dove, later just Dave — formed De La Soul in Amityville, Long Island with Posdnuos and Maseo. Their 1989 debut 3 Feet High and Rising , produced with Prince Paul , remains one of the most inventive records in the history of the genre: dense with samples from Steely Dan to Johnny Cash to French language instruction tapes, funny, formally strange, and entirely uninterested in the postures rap was expected to strike. The consequence of that invention was a curse. The sample clearance landscape changed after Gilbert O'Sullivan sued Biz Markie in 1991, and De La Soul's early catalogue — built on hundreds of uncleared fragments — became legally impossible to license. For roughly fifteen years, their most important a...